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Archive for the ‘interview’ Category

Interview with BBC’s first Eric Hoskings Photography Award Winner – Heinrich van den Berg

Friday, May 17th, 2013

We were lucky enough to snag a Q&A session with the first person to win the Eric Hoskings Award of the BBC Wildlife Photographer of the Year for two consecutive years – Heinrich van den Berg.

Heinrich van der Berg (3)

Find out more about this civil engineer turned wildlife photographer as he shares where his love for photography originated, what inspires him, and the insight his travels have given him over the years.

Hippo yawning

1. How did you get into photography?
I have always been interested in photography, and as a young boy I used to go on holiday with my family to all the great nature reserves in southern Africa and take photographs.
Photography has always been my first love. I studied civil engineering because I didn’t believe that it was possible to make a living from photography. But I was a pathetic engineer; I didn’t have any passion for it. All I wanted was to photograph wildlife. In a way it was a blessing that I disliked engineering so much; if I had liked it just a bit more, I would still be an engineer, and not as happy as I am today. I have learned that I cannot do anything well if I am not passionate about it.

Above: Hippo yawning near riverside.

1. How did you get into photography?

I have always been interested in photography, and as a young boy I used to go on holiday with my family to all the great nature reserves in Southern Africa and take photographs.

Photography has always been my first love. I studied civil engineering because I didn’t believe that it was possible to make a living from photography. I was a pathetic engineer; I didn’t have any passion for it. All I wanted was to photograph wildlife. In a way it was a blessing that I disliked engineering so much; if I had liked it just a bit more, I would still be an engineer, and not as happy as I am today. I have learned that I cannot do anything effectively if I’m not passionate about it.

Dark Rocks close to the Storms River Mouth

Above: The dark ragged rocks, dramatically protruding in straight lines into the ocean near Tsitsikamma National Park.

2. What type of photography are you most passionate about?

I love wildlife photography – any subject that is pure.

Leopard concealed in Tree

Above: A leopard resting while conserving energy for the big hunt ahead.

3.  What or who do you draw inspiration from?

My father has been the biggest inspiration. He really appreciates nature and wildlife photography, and that rubbed off on me as a youngster. Other photographers that have inspired me are Jim Brandenburg and Frans Lanting.

The leaf-tailed gecko in a tree.

Above: The leaf-tailed gecko perfectly camouflaged in the wild.

4. How would you describe your photographic style?

I try to be creative and push the boundaries of still photography. When you have photographed for a very long time, you need to reinvent yourself to stay competitive in the industry.

Meerkat looking out for predators

Above: Meerkats on the lookout for predators.

5. Have you ever put your life in danger to take the perfect shot?

One of the advantages of being a wildlife photographer is that you see some incredible wild places and sometimes you get paid to go there. The danger pales in comparison to the opportunity to get a great photograph.

The most challenging experience was getting malaria during a trip to the Kruger National Park. For me, it is proof that the mosquito is by far the most dangerous animal in Africa.

The scariest experience was being attacked by a hippo while paddling down the Zambezi river on an assignment. I was in a two-man canoe with an experienced guide when a hippo picked our canoe up from below. My guide started screaming like a girl, and that was really scary: when your guide loses it, it means that you need to start panicking. But it was the high-pitched scream that made the hippo drop us.

Grey crowned cranen in the Grasslands of Africa

Above: The grey crowned crane in the Grasslands of Africa.

6. Is there a photograph that you have taken that is of sentimental value to you?

It’s not really an external experience, but more the internal personal journey that has been so rewarding. I have experienced incredible sightings, from mountain gorillas to indris in Madagascar. All of these experiences add up to a really honest appreciation of how lucky I am to be able to live this kind of life.

Travelling through Africa, one sees terrible poverty and bravery and that puts everything into context. The same applies to animals. The habitats of many animals are in real danger, and I am fortunate enough to be able to photograph some of these animals and hope that it will have an influence on the future of their species. It’s rewarding to be able to convey an animal in an original way.

Flap-necked chameleon

Above: A flap-necked chameleon mimics the colour of leaves to ambush its prey.

7. What tips do you have for aspiring photographers?

Be creative and break the rules.

Namaqualand spring flowers

Above: The Beauty of the Namaqualand spring flowers.

8. What are some of the challenges that you face as a photographer?

Photography is a wonderful occupation, and if you really enjoy what you are doing, challenges just make it more interesting. The biggest challenge is making money from an industry that people do for fun, as a hobby.

Mangrove trees, with their protruding pencils

Above: A great shot of some Mangrove trees in the Umlalazi Nature Reserve, KwaZulu-Natal.

9. Have you ever missed the perfect shot?

I don’t want to talk about it.

10. What do you want to say through your photographs?

I want to show the beauty that is out there. Then if people are aware of this beauty, they may think twice before destroying it.

If this article has peaked your interest in Heinrich van den Berg’s photography, then check out his website or view some of the great work his done, currently available to purchase online through hph publishing.

Interview with photographer Emil von Maltitz

Thursday, March 14th, 2013

Cloudy Sky

Meet Emil von Maltitz, a photographer whose passion for insects developed into an all-consuming passion for photography. Emil owns his own photography company; Limephoto (situated in Durban) and mainly shoots landscape, nature and commercial photography.

Find out some of the strange things that people have asked him and some of the challenges he has faced as a photographer while enjoying some of his passion-filled photography.

1. How did you get into photography?

As a preteen I was convinced that I was going to grow up and become an entomologist or zoologist (I idolised Gerald Durrell after reading ‘My Family and Other Animals’). The problem was that my growing collection of butterflies and other insects kept on being decimated by weevils. So, to record the collection I decided to save up money and get a camera. It took me a year. After the first roll of film though, I was absolutely hooked. The bug collection was forgotten and photography became an all-consuming passion.

Witches peaks below Sentinel in the DrakensbergAbove: Photography students at the 3 Witches peaks below Sentinel in the Drakensberg, South Africa.

2. What type of photography are you most passionate about?

I’d love to call myself a landscape photographer as that’s where my real photographic interest lies. However, as a professional I basically shoot whatever I get paid to. At the moment that’s predominantly commercial industrial photography. I also do a lot of corporate and commercial portraiture, some architectural work and large events like high-level conferences.

Two men rowing on the Zambezi RiverAbove: Two men rowing on the Zambezi River at Sioma Falls, Zambia.

3. What is the strangest thing that you’ve drawn inspiration from?

Hmmm, tough one. I’m not really sure to be honest. Rather I’d say there have been some strange things that I have photographed. The most memorable would be the time I spent photographing spirit possession rituals in the Caprivi. Seeing what people did under trance was incredible. Sadly I didn’t know as much about photography as I do now, so I can’t say that my images truly capture what I felt and experienced at the time. Photographing a knee surgery for a client last year also ranks quite high on my ‘different shoot’ list.

The M2 highway in Johannesburg at nightAbove: The M2 highway in Johannesburg at night, Gauteng.

4. What tips do you have for aspiring photographers?

As a profession: Be prepared to compromise. We can’t always shoot what we want to shoot. Starting out you may have to be a little bit of a photographic prostitute, working for whoever will pay you. There’s also something known as the 2-5-10 rule: 2 years before you are covering costs and even think you could do this for a living – 5 years before your ‘business’ stabilises and you know that you have a career in photography -10 years to get to where you felt you should have been after the first year. Most important though, if you want to ultimately do this full-time, is that you have to throw yourself completely into the profession. It doesn’t really work trying to do photography on the side.

As a medium: Learn to simplify your images compositionally. If there is an element inside your composition, it needs to be there for a reason. If there is no reason it shouldn’t be there. Learn to see what shouldn’t be in the frame when you are composing and you will soon find that your compositions are tighter and more effective.

Camping-at-the-summit-of-Ntonjelana-Pass

Above: Camping at the summit of Ntonjelana Pass, Drakensberg, South Africa.

5. Where is your favourite place to photograph?

Hands down, the Drakensberg Mountains.

Hiker overlooking Drakensberg escarpment at dawn

Above: Hiker overlooking Drakensberg escarpment at dawn, South Africa.

6. What are some of the challenges that you face as a photographer?

I think it’s a constant challenge to create meaningful images. I want people to think when they see my images. I want them to do more than glance at the photo. In a few cases I’d love it if the image could change the way people approach or think about the subject. I firmly believe that images are powerful tools for activism and I try to make my images of the Drakensberg create a feeling of reverence or awe for the mountain.

From the professional side, running a small photographic business is also a major challenge (I guess any business owner would say this). You are only ever as good as your last shoot. It doesn’t matter if a photographer has won an award two years ago. If their last shoot was a cock-up they are suddenly seen as not that good anymore. Then there’s the fact that photography is an art and therefore there are very different ideas as to what works and what doesn’t. Balance this with the public’s financial devaluation of imagery (because you can now buy imagery for 50c a pop from micro-agencies) and it makes life very difficult for a photographer to make a living. It costs money to take powerful images. Some clients know this thank goodness. The ones that don’t contribute to a world saturated with mundane images. I’ll jump off my hobby-horse now.

Durban International Convention Centre at twilight, South AfricaAbove: Durban International Convention Centre at twilight, KwaZulu-Natal, South Africa.

7. Do you occasionally use film in some of your shoots?

Very occasionally I do. I sometimes shoot with a large format Linhof camera. The price per shot is about R120 and even then the camera is kept in the cupboard 99% of the time. I was a very stubborn convert to digital admittedly. Some of the romance of film, like watching a black and white image develop in tub of chemicals is gone, but the abilities of the modern digital SLR are so phenomenal that I haven’t shot 35mm (in contrast to large format) film in three years.

Royal Natal National Park

Above: Royal Natal National Park, KwaZulu-Natal, South Africa.

8. What photographic societies are you a member of?

I’m currently a member of the International Environmental Photographers Association (the IEPA).

Two bulls sparring each other at Thanda Game ReserveAbove: Two bulls sparring each other at Thanda Game Reserve, KwaZulu-Natal, South Africa.

9. What do you try to say through your photographs?

When I’m doing a commercial shoot it’s really what the client wants to say. We’ll discuss what aspect they are trying to get across to the viewer and I’ll try and incorporate that into the image somehow. For my own artistic work I try to get across some kind of feeling for the subject itself. It sounds clichéd to say ‘the essence of the subject’, but if I’m photographing the sun coming up behind a peak at dawn I want the viewer to feel that they are standing there and Beethoven’s 5th is roaring in their ears. Or if I’m shooting dew on a web or blade of grass I’ll possibly want less drama and a more intimate feeling to the image.

The Tree Aloe (Aloe barberae)Above: The Tree Aloe (Aloe barberae)

10. Have you ever been in a dangerous situation to take the perfect shot?

I don’t think I seek out danger. I’ve done a few silly things like photographing waterbirds in the Caprivi by wading chest high in a swamp. Not clever when you realise there’s a great big Crocodile sharing the water with you. I’ve also been in some hairy situations in order to get a photo in the Drakensberg. One was where my wife and I were in the centre of such an electrical storm while at the top of Cathedral Peak that her hair stood on end. You could feel the static in the air and the bolts were terrifying (I actually proposed to her straight after that). The worst situation was when I was airlifted out of the berg after trying to get a shot of Ribbon Falls in the Cathdedral Peak section. I slipped, hit my head and washed down a small waterfall, fracturing my spine in the process. But I’m certainly no Bang-Bang club wannabe.

Three Basotho herders in the DrakensbergAbove: Three Basotho herders in the Drakensberg, South Africa.

11. Who are your favourite Photographers?

I have always admired a fairly large group of individuals. Names that stand out though, although in no particular order are; Jim Brandenburg, Frans Lanting, Ansel Adams, Joe Cornish, Steve McCurry, Joe McNally, Charlie Waite, Dorothea Lange and Henri Cartier-Bresson for starters. In South Africa I’ve always enjoyed Obie Oberholzer’s work and really think that Hougaard Malan’s stuff is phenomenal. There are so many amazing photographers out there that it can be quite intimidating to call myself a photographer. I mean geez, look at what’s out there. It’s amazing!

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Featured photographer – Robyn Preston

Monday, January 14th, 2013
OVERLANDING AFRICA BLOG
BIO…
I am born and bred New Zealander with a passion for Africa. From the age of 10 I had an interest in African animals and , to this day, don’t know what started it. In 2009 I made my first trip to the continent and am now planning my fourth visit in April. This visit will include a lion research project, a trek in Uganda to see the mountain gorillas and following the Great Migration in the Maasai Mara again.
Apart from the people, the countries and cultures, my major interest is wildlife photography. I have been involved in photography for around 30 years, mostly involving people and typically children. But since my first visit to Africa, that interest has swayed to wildlife and that is where my concentration lies. I have had an image chosen for publication which is fantastic. Wooohoooo !!
At home in NZ, I live a quiet life at the beach and have an interest in African drumming which I play in a group. I am also interested in video editing and am working on a short piece of the wildebeest crossing of the Mara River.
1. I don’t recall when I first picked up a camera as it was such a long time ago ( showing my age…NOT ). But I first started getting serious when my children brought their school class photos home and I thought I would like to give that a go. I had a different style which was embraced and ended up doing it for 13 years. That lead me into family portraits , weddings, social events , corporate branding amongst other things. Back then it was all film photography and now, with the advent of digital, it has become much easier . I still recall doing weddings on a Saturday and having to stress until the week to wait and see the images printed on paper before knowing if they had come out ( nope…still not showing my age )
2. At this point my focus is on African wildlife. But with my history of “ people photography “ , I still find a real pull to capture the characteristic features I see in African faces. I prefer to take natural images but am always mindful of the respect the people deserve when taking photos without their knowledge. If possible, I ask their permission beforehand.
3. Where I live I often go walking on the beach. Some days there isn’t a soul to be seen. I often walk with my head down noticing all the little things like the patterns in the sand, the way the water moves, the textures , the little insects that scurry when they see me ( am I that scary ? ). These are things that most likely a lot of people wouldn’t notice as they look at the bigger picture which is the scenery. These little things inspired me to make a short film and included in that were all the activities that people enjoy here. I entered it into a  local competition and won ( High 5 !! )
4. The most important thing I’ve learnt in photography is to keep it natural. Along with the digital age came programs to manipulate images. Enhancement is one thing, but to change an image into something other than what was seen is a No-No in my book. Especially dealing with nature. Keep it simple….keep it natural….capture the magic of the moment. That’s what it’s all about. Good philosophy for life too I say.
5. My biggest pet peeve when photographing is when people looking on try to get the attention of whoever it is I’m trying to photograph and make them look away from the camera. AAGGHHhhhhh !!! So frustrating.
6. Although there are many locations throughout Africa that I love to take photos, my favourite would have to be the Maasai Mara in Kenya. It has wide, open spaces and such a wonderful feel about it. I don’t know why, but when I am there it feels like home. Was I a maasai in a past life I wonder ? I was there during the wildebeest migration in July / August 2012 and no words can describe the awe of that experience. No photos or video do it justice. But what I love most, about any of the places I have taken photos, is being privileged to be in the animals domain. It’s their space, not ours. It’s capturing nature and it’s environs that holds the magic.
7. The most unusual thing I’ve seen ( or did I ? ) was one of the antelope family but with antlers. I was travelling in an overlanding truck at the time so only got a fleeting glimpse. Later I tried to explain what I had seen to my guide and asked him what it was. He had no idea and looking through pictures of African animals, I have never seen anything that looked like what I saw. So, to this day, I have no idea what it was. At the time, it caught my eye simply for the reason I had never seen whatever it was I thought I saw ( confused ?? ) Yup…..me too.
8. There have been several occasions when I have been in dangerous situations although it wasn’t always possible to capture the moment in a photo.
I was cage diving in South Africa amongst the great white sharks and had placed myself at the edge of the cage on purpose to get the best view. The crew would call from the boat when they could see a shark approaching and those in the cage would submerge to view them. On this occasion though, a massive shark leapt out of the water from beneath the boat, unseen by the crew, and I was facing it only centimetres away at face level with it’s mouth wide open and teeth glaring at me. It crashed against the cage where I was standing and scared the #@%* out of me. It happened so fast that I didn’t have time to capture the moment on my camera. But wow what an adrenaline rush . I’ve never forgotten it and was thankful the cage bars held up against it.
I was staying at a lodge in the Maasai Mara and saw vervet monkeys running around the grounds and up the trees. I grabbed my camera and went out to take some photos. Amongst them was a mother with her baby and , in hindsight a silly thing to do, I got down at ground level to get a good image. She was eyeing me intensively when suddenly, from out of the bushes behind me ,came some more monkeys. One of them rushed at me snarling and spitting and barring it’s teeth. I had to kick at it to keep it away and to stop it biting my leg ( note to self…rabies !! ) . A man walking down the pathway yelled at it and it looked to the side which gave me time to move away. Just a tad scary and I learnt my lesson. On this occasion I DID get the photo of the mother and baby only moments before the attack.
Later that evening , just on dusk when the light is dim, as I was walking to dinner I heard a rustling. The biggest baboon I had seen was just getting out of a tree right beside me. I was mindful not to run but , oh man, did it give me a fright.
I was doing volunteer research on a private reserve in South Africa and each day our group would go out on game drives collecting data. This particular morning the guide stopped the vehicle on the road in front of a large bull elephant. The bull raised his head and waved his trunk before ambling into the nearby bushes to relieve himself. Suddenly he turned and charged back onto the road and came directly at us. His ears were flapping and I had images of us all being somersaulted onto the road . He stopped right by my door. Needless to say, it happened so quick I didn’t get a photo. But if anyone had seen my face……….that would have been a priceless image!
At the same reserve, we were doing an afternoon game drive when the driver heard over the radio of a lion kill. We found 5 lions settling in the nearby bushes after feeding on a kudu. We stayed for quite some time observing them and they went back to the kudu and some began feeding again. I was sitting in the back seat of an open vehicle. The light was fading fast and I became rather unnerved at one of the lions sitting on the grass at the back of the vehicle….only a matter of metres away.  Thoughts went through my head that , if it wanted to, it could just jump up and get me. I was relieved by the fact that it wasn’t hungry at that moment so it surely must be eyeing me out of curiosity. Another of the group was getting nervous so we asked the driver to leave. We were down in a dip and had to drive up the side of a bank. As we slowly inched up the side , the lion got up and started following. Bearing in mind, I am in the back of an open vehicle and now looking directly down on it in almost darkness…straining even to see it which only made it worse….I called out to the driver to go faster and as she did, the lion started to run. At this point I don’t think I have ever been so nervous on my travels. Luckily , the lion stopped to turn and see if the rest of the pride were following. They weren’t , so it stopped. Whew !!! I was totally relieved to get back to camp and away from the darkness . I can still recall the vivid memory of that lion looking at me in the near dark. Nope…no photo !
9. Because of photography, it has opened doors for me that , years ago, I would never have imagined possible. What started as a fascination of Africa is now a reality. At present I am focusing on building up followers on my Facebook wildlife photography page. Adding new photos each day and uploading to other sites to develop my profile. I have been told that I have a different style. I am not quite sure exactly what that style is or how I do it. For me it is just capturing what I see and doing what comes naturally. I am looking forward to getting back to Africa and expanding my photo library and concentrating on the finer points of getting better images. I always have the mindset that I can do better and am my own worst critic.
10. There are many sites to place photographic work online but, because I am relatively new to wildlife photography, I am concentrating on my Facebook profile and building that for now. I think it is better to do one thing well than lots of things half pie. Facebook pages have the ability to reach many thousands of people across the world and , indeed , I am already finding that out.
My advice to up and coming photographers would be that you don’t need to go out and spend heaps of money on buying expensive gear. It’s more about composition and timing and capture. The photo I had chosen for publication was not taken on an expensive camera. And practice, practice, practice. Learn by mistakes. Create your own style and don’t try to copy someone else. Be inspired.
I am enthusiastic about this passion of mine and look forward to lots more adventures and experiences along the way.
Africa is calling…

Meet Robyn Preston, a born and bred New Zealander with a passion for Africa and photography. Since she was 10 years old, Robyn can remember having a particular interest in African animals and, in 2009, made her first trip to the continent.

Having been involved in photography for roughly 30 years, Robyn’s passion sways towards wildlife photography, although capturing people, countries and cultures also fuels her fire.

Living a creative life, if you don’t find Robyn at the beach or playing African drums in a group jam, you’ll probably find her dabbling in video editing…. that’s if she’s not planning her next trip to Kenya.

Interview with Robyn Preston below

1. When did you first pick up a camera?

I don’t recall when I first picked up a camera as it was such a long time ago ( showing my age…NOT ). But I first started getting serious when my children brought their school class photos home and I thought I would like to give that a go. I had a different style which was embraced and ended up doing it for 13 years. That lead me into family portraits, weddings, social events, corporate branding amongst other things. Back then it was all film photography and now, with the advent of digital, it has become much easier. I still recall doing weddings on a Saturday and having to stress until the week to wait and see the images printed on paper before knowing if they had come out (nope…still not showing my age).

Above: A young cheetah staring into the distance

Above: A young cheetah staring into the distance

2. What kind of photography do you most enjoy?

At this point my focus is on African wildlife, but with my history of “people photography” , I still find a real pull to capture the characteristic features I see in African faces. I prefer to take natural images but am always mindful of the respect the people deserve when taking photos without their knowledge. If possible, I ask their permission beforehand.

Above: A female wearing African traditional jewellery

Above: A female wearing African traditional jewellery

3. What is the simplest thing that has ever inspired you?

Where I live in New Zealand, I often go walking on the beach. Some days there isn’t a soul to be seen. I often walk with my head down noticing all the little things like the patterns in the sand, the way the water moves, the textures, the little insects that scurry when they see me (am I that scary?). These are things that, most likely, a lot of people wouldn’t notice as they look at the bigger picture, which is the overall scenery. These little things inspired me to make a short film and included in that were all the activities that people enjoy here. I entered it into a  local competition and won (high 5!).

Above: 3 giraffes gathering

Above: 3 giraffes gathering

4. What is the most important thing you’ve learned through photography?

Keep it natural! Along with the digital age came programs to manipulate images. Enhancement is one thing, but to change an image into something other than what was seen is a No-No in my book. Especially dealing with nature. Keep it simple….keep it natural….capture the magic of the moment. That’s what it’s all about. Good philosophy for life too I say.

Above: A zebra attacking another zebra

Above: A zebra attacking another zebra

5. What is your biggest pet-peeve as a photographer?

My biggest pet peeve when photographing is when others around me try to get the attention of whoever it is I’m trying to photograph and make them look away from the camera. AAGGHHhhhhh!!! So frustrating.

Above: A cheetah sitting and the sunsetting behind it

Above: A cheetah gazes into the distance as the African sun sets

6. If there was one location in Africa you could go to take photographs, where would it be?

My first choice would have to be the Masai Mara in Kenya. It has wide, open spaces and such a wonderful feel about it. I don’t know why, but when I am there it feels like home. Was I a Masai in a past life I wonder?

I was there on an overland trip during the wildebeest migration in July/August 2012 and no words can describe the awe of that experience. No photos or videos do it justice. But what I love most, about any of the places I have taken photos, is being privileged to be in each animal’s domain. It’s their space, not ours. It’s capturing nature and it’s environs that hold the magic.

Above: A leopard relaxing in a tree

Above: A leopard relaxing in a tree

7. What is the most unusual thing you have seen and wanted to photograph?

The most unusual thing I’ve seen (or did I?) was one of the antelope family, but with antlers. I was travelling in an overlanding truck at the time, so only got a fleeting glimpse. Later I tried to explain what I had seen to my guide and asked him what it was. He had no idea and looking through pictures of African animals, I have never seen anything that looked like what I saw. So, to this day, I have no idea what it was. At the time, it caught my eye simply for the reason I had never seen whatever it was I thought I saw ( confused ?? ) Yup…..me too.

Above: Elephants walking offinto the distance as the sun sets

Above: Elephants walking off into the distance as the sun sets

8. Have you ever been in an unsafe place or situation to snag a brilliant photo?

I was staying at a lodge in the Maasai Mara and saw vervet monkeys running around the grounds and up the trees. I grabbed my camera and went out to take some photos. Amongst them was a mother with her baby and in hindsight a silly thing to do, I got down at ground level to get a good image. She was eyeing me intensively when suddenly, from out of the bushes behind me, came some more monkeys. One of them rushed at me snarling and spitting and barring its teeth. I had to kick at it to keep it away and to stop it biting my leg (note to self…rabies!). A man walking down the pathway yelled at it and it looked to the side which gave me time to move away. Just a tad scary and I learnt my lesson. On this occasion I DID get the photo of the mother and baby only moments before the attack.

Above: The lion is arguably the most fierce of the Big Five

Above: The lion is arguably the most fierce of the Big Five

9. Ever missed a brilliant shot?

There have been several occasions when I have been in dangerous situations and haven’t managed to capture the moment. Like when I was shark cage diving in South Africa and missed a massive shark breach. Centimetres away at face level, its mouth wide open and teeth glaring at me. It just happened so fast. In another instance, after relieving itself in the bushes, a bull elephant charged directly at us, but stopped at my door. It happened so quickly I didn’t get a photo. If anyone had seen my face… that would have been a priceless image!

Then, in the same reserve, we found five lions settling in the nearby bushes after feeding on a kudu. As we started to drive away the lion got up and started following. I called out to the driver to go faster and as she did, the lion started to run.  Luckily, the lion stopped to turn and see if the rest of the pride were following. They weren’t, so it stopped. Whew!!!  I can still recall the vivid memory of that lion looking at me in the near dark. Nope…no photo!

10. Complete this sentence: Because of photography…

… doors have opened for me that, years ago, I would never have imagined possible. What started as a fascination of Africa, is now a reality. At present I am focusing on building up followers on my Facebook wildlife photography page. Adding new photos each day and uploading to other sites to develop my profile. I have been told that I have a different style. I am not quite sure exactly what that style is or how I do it. For me it is just capturing what I see and doing what comes naturally. I am looking forward to getting back to Africa and expanding my photo library and concentrating on the finer points of getting better images. I always have the mindset that I can do better and am my own worst critic.

Above: 5 leopards lying down and sitting in a row

Above: A mother and her cheetahs cubs stay close

11. Where do you find are good places for aspiring and pro-photographers to place their work online?

There are many sites to place photographic work online but, because I am relatively new to wildlife photography, I am concentrating on my Facebook profile and building that for now. I think it is better to do one thing well than lots of things half pie. Facebook pages have the ability to reach many thousands of people across the world and, indeed, I am already finding that out.

My advice to up and coming photographers would be that you don’t need to go out and spend heaps of money on buying expensive gear. It’s more about composition, timing and capture. The photo I had chosen for publication was not taken on an expensive camera. Remember: Practice, practice, practice. Learn by mistakes. Create your own style and don’t try to copy someone else. Be inspired.

I am enthusiastic about this passion of mine and look forward to lots more adventures and experiences along the way.

Africa is calling…

Featured Photographer Robyn Preston

Above: Robyn Preston

Above: Robyn Preston

Robyn’s next visit to Africa is scheduled for April, an adventure which will include a lion research project, Uganda gorilla trekking and following the Great Migration in the Masai Mara… again.

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